|
艺书图 欢迎艺术家加入,同时恳请用户提交经典作品.
艺书图 是由一群艺术爱好青年而创办的为艺术家及艺术爱好者提供艺术资讯服务、艺术作品存储空间的网络平台。它以研究学习宣传艺术品为目的,供艺术家通过艺书图网向公众提供艺术作品、艺术资讯、观点、文章、表演、录音录像制品,为促进中国艺术发展而建立的艺术同盟站。
艺书图的功能特点在于:艺书图内容都可以由在本站注册的艺术家、艺术爱好者及网友自行提供,因此,艺书图作为网络资讯发布信息平台,具有自助银行一样的方便直接、更兼具媒体的广泛性、大众化。艺术博物馆适应时代的发展,手机免费访问不收取信息费(GPRS 流量请咨询当地联通或移动);随时随地拥有我的个性艺术资讯!
艺书图 只要你会收发电子邮件,只要1分钟;注册成用户,一旦审批合格,你登录后建立个人艺术馆、展厅将不受任何限制上传自己的作品、资讯、观点、展览信息。
现将加入提交格式公布如下:
请务必按照下列格式提交
1. 艺术家名称
2.照片 (大小不能低于800X600)
3.简介
4.作品名称 以及 创作年代
5.作品图片(必须是高清晰大图,无任何网站水印)
6.作品的实物尺寸 比如 68X68
注:(以上内容必写,不能满足以上条件将拒绝收录,同时请先注册成为本站用户才能提交作品,如果您已经注册,且已登录,请先点建立展厅再点上传作品)
|
|
Waagen Gustav Friedrich{古斯塔夫·弗雷德里希·瓦根}
|

|


|
|
德国艺术史家。1822年因关于凡·艾克*的著作而成名,1832年成为新建的柏林博物馆馆长。他是第一个具有博物馆职业背景的艺术史家。l844年成为柏林大学第一个艺术史教授。他的著作收集了许多艺术品的图片,为当时的艺术史研究提供了丰富的信息资源。
Gustav Friedrich Waagen (February 11, 1794–July 15, 1868) was a German art historian.
Waagen was born in Hamburg, the son of a painter and nephew of the poet Ludwig Tieck. Having passed through the college of Hirschberg, he volunteered for service in the Napoleonic campaign of 1813-1814, and on his return attended the lectures at Breslau University. He devoted himself to the study of art, which he pursued in the great European galleries, first in Germany, then in Holland and Italy.
A pamphlet on the brothers Van Eyck led to his appointment to the directorship of the newly founded Berlin Museum in 1832. The result of a journey to London and Paris was an important publication in three volumes, Kunstwerke und Künstler in England und Paris (Berlin, 1837-1839), which became the basis for his more important The Treasures of Art in Great Britain, translated by Elizabeth Eastlake, (London, 1854 and 1857).
In 1844 he was appointed professor of art history at the Berlin University, and in 1861 he was called to St Petersburg as adviser in the arranging and naming of the pictures in the imperial collection. On his return he published a book on the Hermitage collection (Munich, 1864). Among his other publications are some essays on Rubens, Mantegna and Signorelli; Kunstwerke und Künstler in Deutschland; and Die vornehmsten Kunstdenkmäler in Wien.
He died on a visit to Copenhagen in 1868. In the light of later research his writings are not of much value as regards trustworthy criticism, though they are useful as catalogues of art treasures in private collections at the time when they were compiled. His opinions were greatly respected in England, where he was invited to give evidence before the royal commission inquiring into the condition and future of the National Gallery.
1 张作品最新作品于 八月 28, 2007 展厅查看 7 次
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 随机作品 - W |

kandinsky87 次查看
|
|

Arrangement in Black The Lady in the Yellow3 次查看
|
|

Etty William Mira3 次查看
|
|

Just Dessert7 次查看
|
|

Glackens William Roses And Persimmons6 次查看
|
|

More Images of the Artist1 次查看
|
|

6 次查看
|
|

Shipping Approaching The Harbour Mouth In A Rough Sea4 次查看Oil on canvas
24 3/4 x 33 1/4 inches (63 x 84.5 cm)
Private collection
|
|
| 最新上传 - W |

7 次查看八月 28, 2007
|
|

5 次查看八月 28, 2007
|
|

2 次查看八月 28, 2007
|
|

6 次查看八月 28, 2007
|
|

4 次查看八月 28, 2007
|
|

4 次查看八月 28, 2007
|
|

Still-life 1650s28 次查看Oil on canvas, 105 x 87,5 cm, The Hermitage, St. Petersburg
This is a typical illustration of the type of still-life of which Kalf was an outstanding specialist. The still-lifes by Kalf look very different from those of his predecessors (like Pieter Claesz. and Willem Heda). They are, in a sense, much more theatrical; in their sonorous quality they bring to mind the landscapes of his contemporary, Jacob van Ruisdael.
In the paintings by Head or Pieter Claesz., the objects are ordered in a simple way; they are just laid out on the table. The light is even; shadows are used only to emphasize each object's plastic form. The still-life is generally set in a rather wide space (the painting itself being oblong). In Kalf's paintings, however, the space is narrowed. The backgrounds is much darker; and in this narrow space, against this background, the still-life seems curiously isolated. A soft light picks out each different object, showing its unique quality and colour, as spotlights 八月 26, 2007
|
|

Still-life 1650s25 次查看Oil on canvas, 105 x 87,5 cm, The Hermitage, St. Petersburg
This is a typical illustration of the type of still-life of which Kalf was an outstanding specialist. The still-lifes by Kalf look very different from those of his predecessors (like Pieter Claesz. and Willem Heda). They are, in a sense, much more theatrical; in their sonorous quality they bring to mind the landscapes of his contemporary, Jacob van uisdael.
In the paintings by Head or Pieter Claesz., the objects are ordered in a simple way; they are just laid out on the table. The light is even; shadows are used only to emphasize each object's plastic form. The still-life is generally set in a rather wide space (the painting itself being oblong). In Kalf's paintings, however, the space is narrowed. The backgrounds is much darker; and in this narrow space, against this background, the still-life seems curiously isolated. A soft light picks out each different object, showing its unique quality and colour, as spotlights 八月 26, 2007
|
|